Theater History
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The Wisconsin Union Theater, a premier venue with superb
acoustics, performance space and seating, has a long and
interesting history.
The idea for the theater wing was conceived in the pre-1920's
by University President Van Hise and members of the Memorial
Union Building Committee who were working on the Memorial
Union Project. They imagined a theater with ancillary workshops
as an integral part of the Memorial Union, drawing the arts
into the daily life of the campus.
It was the vision, dedication and persistence of one man,
Porter Butts, with his organizational and fund-raising abilities,
that made the theater a reality without the use of any taxpayers'
dollars during the financially troubled time of the Great
Depression.
The opening of the Wisconsin Union Theater in 1939 marked
the realization of a dream and the solution to a long-felt
need for a theater at the University of Wisconsin-Madison.
Statewide radio broadcasted the October 8th inaugural ceremonies,
and the next three days saw four splendid performances of
Shakespeare's The Taming of the Shrew, starring the leading
couple of the American Theatre, Alfred Lunt and Lynne Fontanne.
Countless artists over the years have echoed Alfred Lunt's
opening night comment that "the acoustics are simply
marvelous." The broad aisles and wide outer lobby corridors
serve as an effective social center, and the complementary
art galleries host changing exhibits. For more than 60 years
the Wisconsin Union Theater has been a cultural center for
the entire state of Wisconsin, featuring local, national
and international acts.
"The whole panorama of a nation at war and peace had
been reviewed there," wrote the Madison Capital Times
ten years after the theater's opening, and in the years
since the theater has continued to reflect a vibrant kaleidoscope
of arts, politics, public discussions and ceremonial occasions.
Union Theater audiences since 1939 have seen and heard
some of the most famous actors, dancers and musicians of
the century in many thousands of performances; popular artists
have entertained; renowned leaders; philosophers and scientists
have challenged the mind. Fritz Kreisler, Ella Fitzgerald,
Indian Prime Minister Nehru, Frank Lloyd Wright, Eleanor
Roosevelt, Martin Luther King, Jr., Robert Frost, Itzhak
Perlman, John F. Kennedy, Yo-Yo Ma, T.S. Eliot, Jesse Jackson,
Arthur Rubinstein, Jascha Heifetz, Louis Armstrong, Martha
Graham, Dave Brubeck, the Lunts-the theater's autograph
book is a Who's Who of twentieth century arts and ideas.
Over the years, eminent personalities have communicated
from the stage with over ten million people, and their influence
has rippled throughout the world. The Union Theater has
constantly won their praise for its facilities and its acoustics,
but mostly for its audiences, who in turn continue to be
the life force of the theater.
Smoothness of operation and quality of programming, key
elements in the theater's success over the years, have rested
in the capable hands of many fine administrators, publicists
and technicians, including Fan Taylor, Fred Buerki, Bill
Dawson, Ralph Sandler and Michael Goldberg, to name just
a few. Equally important have been the generations of students
who today, as in the past, enjoy the opportunity to work
with Union Theater staff on artist booking, contracts, box
office and front-of-the-house management, backstage and
technical crews, production, business operations, and publicity.
They continue to serve as door people, to volunteer as ushers
in exchange for seeing attractions in the theater for free,
and to learn leadership and management skills while enjoying
the opportunity to meet world-famous personalities.
In the 21st Century, the Union Theater continues to flourish
with ideas and programs, energy and vision. That vision
becomes a reality hundreds of times each year, when the
Theater is reserved for use or its doors open to a lively
and inquiring audience. Over and over the mission of the
theater is validated by applause as an artist is acknowledged,
or by a significant silence as an important idea or a profound
experience is considered. The Union Theater remains warm,
lively and inviting, while the magic of great performances
and the ferment of ideas continue to fill it.
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